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Cake day: June 24th, 2020

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  • The quality of the game isn’t why The Crew makes a good target. It’s because it’s made by Ubisoft, which is based in France. And France has some pretty strict consumer protection laws. Were this, say, EA, which is based in the US, the lawsuit would be a non-starter. In adddition to that, France is a part of EU, which means Ubisoft has to comply with EU law in addition to the aforementioned French laws. So if this goes through, they will have to fight this on at least two fronts. The Crew is also a singleplayer game with an online component, which shouldn’t be necessary for the game to function, but here we are.

    So to sum up: the lawsuit is not because people are super passionate for The Crew (though some probably are), but because if you’re going to make an example of a game, your best shot is suing a company which is located in a country with good customer protection laws. The Crew just happened to fit that bill.










  • onlooker@lemmy.mltoMemes@lemmy.mlGoing places
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    3 months ago

    omg, how is this scene still being taken out of context after 10+ years? In the scene mentioned, Tidus, the protagonist of the story, is feeling depressed and Yuna, the summoner who Tidus is guarding, tries to cheer him up. One of her methods is forcing(!) yourself to laugh. It looks ridiculous, it sounds ridiculous, heck, the other characters watching the scene think it’s ridiculous and even Yuna herself at some point tells Tidus he should probably stop. The laugh sounds forced, because it is. And intentionally, at that.




  • Good. I hope that sleaze Pitchford loses a mountainload of money on this. I absolutely hate the guy, he’s a liar and a thief. And arguably, depending how you look at it, a pedophile.

    As a short reminder: Borderlands was originally meant to look like this. Then, at the MTV Asia Awards 2006, an artist by the name of Ben Hibon premiered a neat-looking animated short by the name of Codehunters. You can see it here. Witchford saw this and wanted to use the artstlye for his new game. He and Ben had a back-and-forth for a while and then, radio silence.

    2009 comes around and Pitchfork’s new game Borderlands is released. And to say that it looked familiar to Codehunters would be an understatement. Kitschford, being an upstanding and virtuous citizen that he is, straight-up aped Codehunter’s style. No discussions or agreements were made with Ben and as such, despite Borderlands becoming hugely profitable, Ben didn’t see a cent. And that is why I will always hope for the Borderlands IP to crash and burn. Or, at the very least, for someone to actually pay Ben Hibon for (unknowingly) creating the game’s artstyle. Anyway, rant over, thanks for coming to my TED talk.






  • Yes, that would be one heck of a twist… if they hadn’t revealed Dr. Doom’s identity at Comic-Con. And we don’t even know what the movie will be called, I might add. I think that if Disney was confident in whatever movie it is they’re making, they would have kept RDJ’s involvement on the down-low, to surprise the audience. Instead, they made this big hullabaloo about RDJ coming back.

    Far as I can tell, the casting can be explained in one of two ways:

    • This Dr. Doom is an alternate universe version of Tony Stark. But if this is true, why the heck would they spoil the reveal?
    • Second option is even worse: no alternate universe chicanery. This is MCU’s version of Doom. But that’s just lazy casting.


  • I smell desperation. There’s ten of thousands of actors out there and they decide to re-hire RDJ? It feels like they’re counting on his star power to save their precious Marvel shows and/or movies. It won’t help, of course, because bad casting isn’t why people stopped watching. People are superhero’ed out and yet they’re pumping out Marvel shit like there’s no tomorrow. And I do mean shit, the quality of Marvel movies fell off sharply after Endgame. The talent just isn’t there, man. Stop.